I started listening to this podcast after Will Smith got into one little slap and started making trouble at the Oscars and at first, I really enjoyed it. The Will Smith episode was decent. I listened to another episode based on Yolanda Hadid’s book and that was good too. I assume that’s because they don’t necessarily have any personal feelings towards those people? They were able to be rational and reasonable. And focus on the book!
Anyway, I made it to the Jamie Lynn Spears episode and I must have missed the part where they’re comedians? Oh. Humour is in the ear (or mind) of the beholder. They preface the episode by saying that they used to have a Britney Spears podcast so I knew they would be pro-Britney, but…
It was just beyond mean. They way they spoke about JamieLynn was terrible. To the point where I turned it off and I don’t think I’ll be listening to it again. There were much better ways for them to get their point across. Even if they didn’t agree or they didn’t like the book, their reactions were over the top.
Coming from an outside perspective and as someone who knows the bare minimum about Britney, it was just too much. And I guess it opened up my eyes to how reactionary they are. They present their opinion as fact and I was kind of over it.
And their voices, oh my goodness me. There is no way they sound like that in real life? Imagine the worst valley girl accent and crank it up to a billion. It’s grating on the ears. It is way to high school for me.
I wonder if this is one of those podcasts where you need to cherry pick the episodes… or find another one that does the same thing with less bitchiness?
One Line Review: Season 4 starts off well before it devolves into an oddly paced, uneven show with too much focus on the newer characters; there is some pay off in the last two episodes, but they don’t fully make up for what was a disappointing season.
Note: I watched and wrote this a while ago but never posted it because I’m lazy. Happy New Year!
First of all, Christopher Reeve is Superman and no one else has come close to portraying him that well (live-action at least, Tim Daly comes a close second to me).
I know a lot of people aren’t crazy about his Clark Kent but I think he might be my favourite Clark Kent too (Dean Cain (sigh) is second, Welling is somewhere in between because I liked his younger Clark, but as the character got older, he lost a lot of his charm (for the sake of the character arc, but I digress).
Anyway, I won’t go into an extensive recap: Clark figures out where he’s from, and the loss of his father inspires him to help people. He eventually becomes a reporter and moves to Metropolis and falls in love with Lois Lane. He saves Lois a few times, most notably on the roof of the Daily Planet and she coins the name Superman. Lex Luthor gets wind of this and decides to kill Superman and also blow up California? Superman manages to escape and stop it – but not in time to save Lois Lane (who happened to be there because why not?). He then speeds so fast he turns back time and prevents the whole thing from happening.
As silly as it sounds, there is a clear A to Z plot. The simplicity allows the audience to appreciate Superman for what he is – a hero, and also a man with feelings and emotions like everyone else. The end of the movie directly links to the beginning. He’s still so distraught over the loss of his father that he’s driven to do this crazy thing to bring Lois back. Even Lex Luthor, as crazy as he is in this, has a clear motive.
From what I’ve read, this is still considered the best Superman movie yet. Probably because it doesn’t treat Superman like an alien from Krypton desperate to fit in beyond his high school years. Nor does it do its best to run away from the fact that Superman is in red, yellow and blue Spandex and tights. I saw someone say they like the newer costumes because they muted the colours, but the whole point is that he’s in these bright colours. The cheesy costume with the cape is part of the hero – because it doesn’t matter what he wears. He’s still the most powerful man on the planet. The point is that he could do anything in the world and he’s chosen to save people.
Plus, the original costume is still all sorts of cool.
My favourite part of the movie is the sequence from when he first appears to his first meeting with Lois. Although, I still don’t understand why he allowed Lois to publish the information on how he couldn’t see through lead and specific details about how he came to Earth? It didn’t seem very smart, and it made Lex Luthor’s plan come off slightly…silly. Although, given that Lex was living underground, it wasn’t the most zany thing about the character.
It was interesting watching this after Man of Steel, a movie which never grasps what makes Superman so great. While, he always chooses to help people, he still sees himself as human. He still holds himself to that standard. Whereas in Man of Steel, we have a Superman who’s being told that he doesn’t owe anyone anything, and that it’s okay to let people die if the ends justify the means. It’s not like Superman is Batman, there are so many dark antiheroes out there. I wish they would just keep Superman the way he was intended to be – a ray of hope in a world that often seems devoid of it.
The movie still holds up pretty well. The special effects are dated, but the flying for me is quite special. I know they were on wires and whatnot, but I liked how it looked. The score is wonderful too. I was grinning every time the main theme played. Above all, the film doesn’t take itself too seriously making it a fun, easy watch.
Christopher Reeve is wonderful to watch as well, and I think his Clark to Superman transformation is the best we’ve seen on-screen so far. I loved Margot Kidder as Lois Lane too! Gene Hackman’s Lex was… interesting? The film lingers too much on Lex and his sidekicks and the exposition was excessive, still – some of it did make me laugh, so job done?
I watched the second film too but I can’t remember much of it because I accidentally watched the Donner Cut first and then–anyway. We’ll see if I ever feel like reviewing the other three movies, lol.
I have been working on this post for three months because all I did was rewatch Smallville for a long time. I seem to be able to watch other things now, so hopefully my next post will have more shows (or not, I need to read more!).
I accidentally almost watched the Arc of Suck. Picture this. It was Season 8, Clark was finally working at the Daily Planet. He was partners with Lois. They were getting closer and after four seasons of JUST GET TOGETHER ALREADY we were so close. They moved in for a kiss and Lana Lang walked in.
I’m sure I’ve said this before, but I’ve never seen a season tank so fast after such a good first half. Except for maybe Twisted? I still think about Twisted from time to time. I think my favourite non-favourite thing about the show was the on-screen hashtags. #PoorJo.
I actually really liked the first few episodes of Fastlane until I realised that… it was the same episode over and over again. I eventually rage quit when there was this really gross scene where it was just girls dancing in slow motion and I was like, ‘HOW MANY TIMES?!’.
Every episode there was a club or beach house scene with girls, girls and more girls. Most of the time our white, male lead falls for one of them and we get an awkward, sultry, slow motion love scene. Cringe.
Fastlane would work as a movie, maybe. Watching the same thing happen (in slow motion) for twenty two episodes is not good TV.
That being said, I don’t think I was the target audience for the show anyway.
I’m on the third season now. I like the show, but I think the reason why it’s not as good as Justice League is the ensemble cast. There are so many characters now that it’s hard to really get lost in it. I did like the Cadmus Labs arc in the second season, though.
Above all, there is not enough Superman. There’s not enough Batman. They should make a Batman/Superman show!
Multi-billionaire Peter Swann (Brendan Fraser) is starting a satellite-supported project that aims to detect disease outbreaks at an early stage in order to be able to intervene more quickly. But the rocket that is supposed to take the satellite into space explodes shortly after it has been launched. His fiancée, doctor Grace Davila (Elena Anaya), then persuades him to hire security professional Vincent Corbo (Tom Welling) to investigate the incident.
S1, Episode 9 (Deep Fake):Peter is ready to take over his business again, but back in Dublin he is met with accusations that can cost him everything.Neuman finally gets hold of Vincent and confronts him.
S1, Episode 10 (Swan Song):Vincent and his team get an unexpected ally, but can they trust him? Zora learns of a family secret that threatens her plans and leads her to take desperate action.
I was supposed to rewatch this before I wrote a recap, but in all honesty, I don’t care anymore. I am posting this for the sake of completeness, lol. Tom Welling said this show was like an A-Team/Ocean’s Eleven inspired thing which makes a lot of sense. I still have no idea how it ever got into production stage (I’ll never accept this medical satellite storyline EVER!).
Not too long ago, I watched “Batman” (1989) in full for the first time and I LOVED IT!
It took me a while to get around to the sequel, but I regularly tell people Batman Returns is my favourite Batman movie. Liking it all over again was just a formality, right? How can I not enjoy a movie I saw before I was old enough to understand it?
In my mind, I truly believed I knew what the movie was about, but I’ll be honest I still don’t know what it’s about.
I sat down to watch it (for the first time in over fifteen years) and it is a hot mess. It’s not even a Batman movie, he just so happens to be there. The most bizarre thing is that it’s completely child inappropriate, but that didn’t register to me as a child. I was just like, YAY BATMAN! EW PENGUIN! YAY CATWOMAN! YAY ALFRED! WAH SOUNDTRACK!
I didn’t remember most of it. There are iconic scenes I did remember (Christopher Walken and Michelle Pfeiffer + window, duh), but that’s to be expected. The entire second hour was a mystery to me. And not a good one. I’ll be honest, it’s a terrible movie. Absolutely terrible. I was staring at my screen wide-eyed wondering how this movie is still considered one of the better Batman movies. The dude is barely in the movie.
Although, I get the sense that was the point. It was a character study of the villains… and it just so happened to have Batman in the background. The problem is that… none of the characters are appealing. Even Bruce Wayne is reduced to simpering mess, ripping off his Batman mask (symbolism? The final act is telling us that actually this was never a Batman movie, this was just the mask this messed up character chose to wear) to tell Selina Kyle that they’re both messed up (see!).
I remember thinking that scene was romantic. He was unmasking himself for her! Now? LOL. Their entire relationship was weird.
Penguin… I absolutely remember Penguin being brought up by penguins from back in the day, but…as an adult… well, it just doesn’t fly. I don’t remember him running for Mayor and being exposed when Bruce Wayne plays a recording of him monologuing about his bad notions. I do not remember his giant duck car (which can ride up stairs!). Or him teaming up with Catwoman to take down Batman.
I vaguely remember Batman being framed. At the time of writing and having seen this movie three days ago, I don’t remember what he was framed for. Something to do with the Batmobile mowing down people? I think they hacked into it and while Batman was inside, they controlled the car.
Everybody knows Batman is supposed to have contingency plans – but maybe not this Batman?
Anyway, this is basically an alternate universe take on Batman. At this point, if you want a true Batman story, you have to do the rest of the movies post-Burton or the animated series. Even Batman Begins (which I love and watched after this, and while it has its flaws, it never tries to be more than what it is).
Keaton is still my favourite Batman, though. Out of all the ones I saw growing up, he’s the one I remember. The one who made me like the character. His suit is cool. His gadgets are cool. His Bruce Wayne is a hot mess, but there’s enough cool to balance things out.
In a weird way, I still consider this to be my favourite Batman movie too. It’s a movie about nothing, but it got me into Batman. I can’t abandon it now! I’m not sure why the general consensus is that this is a good movie, though. Nostalgia? If it was so good, why didn’t Tim Burton do another movie? I’m just saying.
Although, we went from Burton to Joel Schumacher. I don’t think there was any upgrade there, but the Schumacher movies were fun to laugh at the very least. Burton’s were kooky and adventurous, if not an indication that he was uninterested in the source material. Nolan took a darker approach but retained the spirit of Batman. Snyder…I am on record as saying that Keaton is better than Batfleck. I think Zach Snyder’s universe strips away why people like heroes so much in the first place.
We have “The Batman” coming soon featuring Robert Pattinson. It will be dark, gloomy and the fans will love it until they don’t. Just my two cents.
Anyway, this was a lesson in how perception can change when you grow older. And how some things just aren’t timeless. Smallville, to name a superhero adaptation, has that kind of timeless feel to it because we’re seeing the characters over a long period of time – making them seem real and with clear-cut motivations.
Batman Returns fails on that basic level.
There is no story here. We get a back story for Penguin, but it doesn’t help us understand why he wants to kill Batman.
In the end, we’re left with a broken Batman that we never really explore. The better title for this movie would have been Batman Exists (Barely).
Someone came to the same conclusion before I did – most of us haven’t seen the movie for so long we don’t know how bad it is. It’s kind of funny in a way.
This entry from the notes they made says it all:
After Penguin receives a note from Batman stating that his plot was foiled, the movie jumps the shark as Penguin gives a motivating speech to an auditorium full of penguins. Because penguins fucking understand English. Penguin has all of his penguin-troops armed with missiles, and instructs them to go above ground to kill all the children of Gotham. Meanwhile Batman is traveling in his Bat Boat underground in search of Penguin. Trust me, I really am trying to appreciate this movie.
Penguin literally has henchmen penguins in this movie.
Rating: 5/10. I wasn’t quite sure what I was watching, but I made it until the end. I also like Michelle Pfeiffer’s Catwoman a lot, so… it gets extra points for that.
Has anyone seen Batman Returns recently? What did you think of it?
I also want to watch Casper for the first time since the early 2000s but now I’m scared, LOL.
Travis Shaw (Benjamin Walker) is a ladies’ man who thinks a serious relationship would cramp his easygoing lifestyle. Gabby Holland (Teresa Palmer) is a feisty medical student who’s preparing to settle down with her long-term boyfriend (Tom Welling). Fate brings the two together as Gabby moves next door to Travis, sparking an irresistible attraction that upends both of their lives. As their bond grows, the unlikely couple must decide how far they’re willing to go to keep the hope of love alive.
I made it 11 minutes into this before I started cackling away at Tom Welling. Why is he here? Why did he agree to this? To pay his mortgage I’m assuming because… his screen time overall is probably less than 15 minutes. Which is good for him because his suffering was kept to a minimum.
[Still, how did he find time to do this movie but not put on the Superman suit?]
The rest of the cast… well, let’s get into it. This movie checks a lot of my low budget boxes. The main make lead has a horrible fake Southern accent and a haircut worse than Jared Padalecki’s in the last ten seasons of Supernatural. There are weird forced interactions. You know how you watch those low budget movies and the cast have to act like they’ve known each other for years, but none of them can act and it’s so awkward.
After a wild one-night stand, a successful sports agent watches his perfect life slowly disappear when he discovers the sexy and mysterious woman he risked everything for is a determined police detective who entangles him in her latest investigation. As he desperately tries to put the pieces together, he falls deeper into her trap, risking his family, his career, and even his life..
Anyway, it’s Valentine’s Day, so you get two movies – a thriller and a straight-up romance.
First up is Fatale, a relatively new movie released at the end of last year.
This movie has a 47% so it meets my below 50% requirement. It may change when more people review it, but…I always have time for Michael Ealy (and it’s still a bad movie. Sorry, Michael).
The beginning of the movie is all very sleek and shot like a never-ending music video. These are well-off people living a decent life.
Except, our leading man Derek and his wife, Tracie, are having trouble. Naturally, his best friend takes his ring at a Vegas party and encourages him to have a fling.
Somehow, Derek is intrigued by Hilary Swank’s terrible dancing. They proceed to dance terribly together and even though there is limited chemistry, something sparks and they spend the night together. Next morning, she puts his phone in a safe and refuses to tell him the combination until he gives her ‘more’.
Instead of calling security and getting the heck outta there, he obliges. See now, Derek, anything else that happens to you after this point is your own damn fault.